What if there was an alternate reality where…

Studio Notes

Hmm. Thought experiments.

What if? What if I could stop this?

What if I didn’t say anything?

What if there were reprisals?

What if I put my mental health at risk?

What if there was no support network for after the ordeal?

All valid thoughts. All eventually had answers.

So far, so good, this month has been great! After dealing with a few unpleasant things over the last few months, this month has been the best in a long time.

I’ve just got back from a brief family visit to England and am now looking into what is probably going to be the most strenuous change of lifestyle since I moved abroad.

RedHeat, June 2004

A man who I knew would still be preying on young boys was found still abusing children but nobody had come forward to do anything about it. Without any evidence, the authorities would not intervene, until I arrived in England, back on the scene. He was sent to trial and then to prison on my testimony.

Take that, you bastard.

This caused so much turbulence in my life, it took many years of help to overcome the trauma of the trial as well as the brutally refreshed memories of the past. The truth is the abuse happened to me and nothing will change that but what I didn’t understand for so long is that I have nothing to feel guilty about. What I did was right.

I am finally at peace.

The piece below is from some time between 2003 and 2004, it took months to set the above in motion, so naturally it reflected in my music. Looking back from 2022 it is clear there is a shy tone of despair in this piece. Just know that everything turned out alright.

A fairly simple piano piece with light instrumentation.

Equipment used:

  • Roland XP60 Synthesiser
  • Emu ESI4000T Digital Sampler
  • Emu Ultra6400 Digital Sampler
  • Unitor AMT8 Midi Patch-bay
  • Terratec 24/96 Audio Interface
  • Cakewalk Pro Audio 9

Cover:

  • Apple iPad Pro 4th Generation
  • Shapr3D iOS CAD – 3D modeling and visualization
  • Procreate iOS – Composition
  • MOLDIV iOS – Post production

Cover Art

Performed By: Redheat

Album UPC: 194171475498

Label: Redheat

Released: 2003

ISRC: ushm21987507

Year: 2003

Genres: Instrumental Piano

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A Return to Marwinia: the Forest’s Promise of an Escape, the story behind RedHeat’s: The Escape from Marwinia.

A hop, skip and jump, falling, fighting, victories, frights, revelations, reconciliation and ultimate involuntary sacrifice to the madness of the sentient forest.

Originally composed in 2005 and recorded while performed from a combination of orchestral and electronic instruments, the evocative soundtrack whisks the listener on a journey across a bizzaare twisted world where fantasty meets a crazed glimpse into the mind and life experiences of the artist.

Cover Art

Listen if you dare venture out from this cursed land

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Red Reflections: Renewal Rejuvenation & Relaxation

Red Reflections track, a timeless beautiful new-age track from RedHeat – Sonic Soundscapes. Featuring brand new cover art reimagining its musical soundscape in unprecedented detail.


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Cover Art

Vlog: The Lake

The Mastbos is a nearby forest in the city of Breda, it has a spectacular landscape and is a great place to go for a gentle stroll.

This video was shot on one of the sunny days a few weeks after Ilona-Ruby’s last radiotherapy. It was good to be outside again.

The music is composed for this video, its everything and its nothing. Inspired by Mike Oldfield, it leans heavily on some of his greatest riffs. Enjoy: The Lake.

Tubular Bells III: iPad Pro Test Drive

Models created in Shapr3D, textured in Procreate, Rendered in Matter, composited in Luma Fusion, all on a freakishly fast first of its kind iPad- the iPad Pro. The compositing can run in realtime.

Music by Mike Oldfield.

3D models created by hand, with the exception of the radar data modelling Asteroid Bennu (from Earth-based radar) provided by NASA.

New Composition: Sudden Uplift

The beat that starts this beautiful song off is not imposing like many of its genre. it is merely a calm repeating drum beat which after a short while starts changing itself ever so slightly. after a little while of pure beat a nearly perfect piano melody is added to it to produce one of the most emotionally stiring musically euphoric peices of sound ever composed. 10/10

Reviewed by Leo Staley on 5-jan-2002 

Cover Art

Studio Notes

This tune is big. It starts out quiet, slowly building up pace and texture, then it shoots though the roof with an awesome piano ending. If you like to be motivated and you kinda tired, then play this tune and it will surely pick you up. This is the first tune I composed using my ESI Sampler unit and XP synth combined.

Original release note, red-heat.com, 2000.

Equipment used:

  • Roland XP 60 Synthesizer
  • ESI 4000T Digital Sampler
  • Cakewalk Pro Audio 9

Performed By: Redheat

Album UPC: See Outer Circle

Label: Redheat

Released: February 2000

ISRC:

Year: 2000

Genres: Symphonic Electronica, New Age